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Sadomania is a 1981 exploitation film directed by Jess Franco. The movie follows the story of a newlywed couple named Carol and Peter, who are on their honeymoon in the Caribbean. However, their trip takes a turn for the worse when they are kidnapped and taken to a women's prison called Sodomania. The prison is run by a corrupt warden named Magda Urtado, who uses her power to sexually abuse and torture the female inmates. Carol is forced to become one of the prisoners and is subjected to the same sadistic treatment. She soon realizes that the only way to survive in this brutal world is to conform to the rules and become one of Magda's submissive sex slaves.

As Carol is transformed from a naive young woman into a hardened and sexually aggressive inmate, she discovers that there is a complex power struggle going on within the prison walls. There are factions of prisoners who fight against Magda and her sadistic ways and are planning a daring escape. Carol finds herself caught in the middle of this dangerous game of survival and must choose a side if she wants to make it out alive.

The movie is filled with scenes of nudity, violence, and extreme sexual content. The violence against women is particularly disturbing and is portrayed in a graphic and exploitative manner. Despite the controversial and offensive nature of the film, it has gained a cult following over the years, with some viewers praising it as a classic example of the exploitation genre.

Ajita Wilson delivers a powerful performance as the brutal and sexually charged warden Magda Urtado, while Andrea Guzon and Ursula Buchfellner both give convincing performances as prisoners struggling to survive in a world of violence and debauchery. The film's cinematography is dark and moody, adding to the bleak and oppressive atmosphere of the prison setting.

Overall, Sadomania is a disturbing and controversial film that is not for the faint of heart. It tackles complex themes of power, sexuality, and corruption in an unflinching and uncompromising way. Despite its many flaws, it remains a fascinating and thought-provoking example of the exploitation genre.